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2015-2016 Auditions

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2015-2016 Signature Series Season Audition Information

Lowndes Shakespeare Center
812 East Rollins Street, Orlando, FL 32803
Produced in Partnership w/ UCF
Artistic Director: Jim Helsinger
Managing Director: PJ Albert

At this time, our auditions for the 2015-2016 season are complete. Thank you to all those who auditioned for our season! Please join our mailing list to receive email notifications on future auditions and upcoming productions.

The sides below will be listed throughout the 2015-2016 Season in case of emergency replacement casting.

SIDES
Ensemble/Lancelot
Herbert 1
Herbert 2
Herbert Song 1
Herbert Song 2
Lady 1
Lady Song 1
Lady Song 2
Lady Song 3 (Callback)
Lady 3 (Packet)
Lancelot 1
Lancelot 2
Lancelot (Callback 1)
Lancelot (Callback 2)
Lancelot (Callback 3)
Patsy 1
Patsy Song 1

SPAMALOT
Weekly Salaries: AEA (Union) LOA: $638, Non-Union: $416

Book and Lyrics by Eric Idle, Music by John Du Prez, Eric Idle, and Neil Innes.
Director: Jim Helsinger.
Music Director: Steve MacKinnon.
Rehearsal 8/18, Opens 9/11, Closes 10/11.

All ethnicities are encouraged to submit for/or attend these auditions.

King Arthur -  (Late 30s-60s): ROLE IS CAST

Sir Robin - (30s-40s): ROLE IS CAST

Sir Lancelot d/b/a Lance - (30s-40): A Knight of the Roundtable. He is fearless to a bloody fault but through a twist of fate, does discover his 'softer side.' This actor MUST be great with character voices and accents, as he also plays THE FRENCH TAUNTER (an arrogant, condescending, over-the-top Frenchman), the KNIGHT OF NI (an absurd, cartoonish leader of a peculiar group of Knights), and TIM THE ENCHANTER (a ghostly being with a Scottish accent). Tenor/Baritone (C3-High E4)

The Lady of the Lake  - (20s-30s): A Diva. Strong, beautiful, possesses mystical powers. The leading lady of the show. Great singing voice is essential, as she must be able to sing effortlessly in many styles and vocal registers. Especially seeking actresses of all races for this role. Alto (E3 - High B6)

Patsy  - (30s-40s): King Arthur's horse and servant. Underappreciated but always longing for King Arthur's approval. Good, funny, physical mover with some tap dancing. Also plays MAYOR (a jolly red-faced man who advertises the merits of his hometown), and the drunken, useless GUARD 2. Baritone Bflat3-HighG5. Tap Dancer.

Sir Dennis Galahad - (30s): ROLE IS CAST

Sir Bedevere - (20s-40s): ROLE IS CAST

Prince Herbert - (20s-30s): Tenor singing required. Very good mover. The hopeful and frilly prince who loves to sing and pines for his love atop a tower. Also plays HISTORIAN (a tweedy academic); NOT DEAD FRED (a sickly little fellow who, despite others' beliefs, claims he is "not yet dead”); FRENCH GUARD;  and ROBIN’S MINSTREL. Tenor. Good Dancer.

ENSEMBLE: 5 men and 5 women. Dancer/singers.

SIDES
Lionel
Lionel (Callback)

BAKERSFIELD MIST
Weekly Salaries - AEA (Union) SPT 7: $476, Non-Union: $378

By Stephen Sachs.
Director: Mark Routhier.
1st Rehearsal 9/22, Opens 10/16, Closes 11/15.

All ethnicities are encouraged to submit for/or attend these auditions.

Maude Gutman - ROLE IS CAST

Lionel Percy - Male. 60s. A world-class art expert. Curt. Impatient. Important but bitter about being less important now than earlier in his life and career.

SIDES
Alf 1
Alf 2
ALL Callback Music
Aster 1
Aster 2
Bill Slank 1
Black Stache 1
Black Stache 2
Black Stache Music
Bumbrake/teacher 1
Bumbrake/teacher 2
Grempkin/Prawn 1
Grempkin/Prawn 2
Molly 1
Molly 2
Prentiss 1
Prentiss 2
Smee 1
Smee 2
Smee Music
Ted 1
Ted 2

PETER AND THE STARCATCHER
Weekly Salary - AEA (Union) SPT 10: $664, Non-Union: $378

By Rick Elice.
Director: TBA.
1st Rehearsal 11/9, Opens 12/4, Closes 1/3.

UPDATE: Actors interested in auditioning for roles in Peter and the Starcatcher should prepare 16 bars of their choice in the style of the show.

All ethnicities are encouraged to submit for/or attend these auditions.

Molly Callback Music: Please prepare 16 bars of music (your choice) that shows your best range and ability. 

Boy (Peter) - ROLE IS CAST

Prentiss - Teenage orphan, played by an adult male or female. Ambitious, hyperarticulate, logical. Longs to be a leader. Baritone/Tenor 2 E’s & F’s.

Ted - Teenage orphan, played by an adult male or female. Obsessed with food, a natural actor, an easy wit, perhaps a future poet. Strong singer (baritone / tenor 2).

Lord Aster - Male, Adult. The very model of a Victorian English gentleman. Devoted father of Molly. Baritone/Tenor 2 E’s & F’s.

Molly Aster - Played by an adult woman. Petite, plays 13 years old. A true leader. Curious, intelligent girl. Strong enough singer for featured solos, Mix/Belt to a C#.

Mrs. Bumbrake/Teacher - Male or Female, Adult. Mrs. B is Molly’s nanny. Stiff in the lip, loose in the hip, fun on a ship. Teacher was formerly a salmon, now an ancient, knowledgeable mermaid. Strong enough singer for a cappella solo. Baritone.

Captain Scott - Male, Adult. Intrepid Captain of Britain’s fastest frigate. Baritone/Tenor 2, up to F#.

Grempkin/Mack/Sanchez/Fighting Prawn - Male, Adult. Grempkin is the mean and malodorous orphanage schoolmaster. Mack is a very bad sailor. Sanchez is a hard-working Spanish pirate with an identity crisis. Fighting Prawn is the King of the Mollusks. Bass/Baritone.

The Black Stache - Male, Adult. Strong singer, Baritone/Tenor up to G#. A famous pirate villain. Heartless and hirsute, suspiciously well-read, partial to the poetical and theatrical. Need skilled comedian.

Slank/Hawking Clam - Male, Adult. Slank is the vicious captain of The Neverland, without the skill or quality to lead anyone. Hawking Clam is the son of Fighting Prawn. Bass/Baritone.

Smee - Male, Adult. Comic side kick. First mate, single-mindedly devoted to The Black Stache. Strong singer, Tenor 2 up to F’s comfortably.

Alf - Male, Adult. An old seadog, enamored of Mrs. B. Tenor to a solid A. 


SIDES
Ever 1
Ever (Callback)

DANCING LESSONS
Weekly Salary - AEA (Union) SPT 7: $476

By Mark St. Germain.
Director: Mark Routhier.
SPT 9. 1st Rehearsal 12/15, Opens 1/08, Closes 2/07.

All ethnicities are encouraged to submit for/or attend these auditions.

Senga Quinn - ROLE IS CAST.

Ever Montgomery - Male. Late 30s/40s. An awkward academic who has Asperger’s Syndrome.

SIDES
(THE TEMPEST)
Alonso/Francisco
/Sebastian
Antonio
Ariel 1
Ariel 2
Caliban
Ferdinand
Gonzalo
Miranda
Prospero
Prospero (Callback)
Sebastian
Stephano
Trinculo

THE TEMPEST/PERICLES - IN REPERTORY
Weekly Salaries - AEA (Union) LOA in ref to LORT: $638, Non-Union: $400

THE TEMPEST

by William Shakespeare.
Director: Anne Hering.
1st Rehearsal 1/05, Opens 2/12, Closes 3/27.

All ethnicities are encouraged to submit for/or attend these auditions.

Prospero - Male, 40 – 80. Any ethnicity. The rightful Duke of Milan, now rules the island on which the play takes place, noble carriage, one of Shakespeare’s great leading roles. Seeking older actor with many years experience with Shakespeare leading roles.

Antonio - Male, 30-70. Any ethnicity. Prospero’s Brother, the usurping Duke of Milan.

Ferdinand -  Male, 18-25. Any ethnicity. Son to the Alonzo, King of Naples. Love interest to Miranda.

Gonzalo - Older male, 50 – 80. Any ethnicity. An honest old councilor.

Caliban - Male, 30 - 40. Any ethnicity. Son of an evil witch, abandoned on the island.

Trinculo - Male, 20-50. Any ethnicity. A drunken jester. Comic role.

Stephano - Male, 20-50. Any ethnicity A drunken butler. Comic role.

Alonso - Male, 40-70. King of Naples. Any ethnicity.

Sebastian - Male 40-50.Alonso’s brother. Aristocratic. Any ethnicity.

Miranda - Female, 18-25. Any ethnicity. Daughter of Prospero, she has lived on this island since she was three.

Ariel - Male/Female, 18-30. Any ethnicity. A spirit of the island who is Prospero’s chief helper and slave. Must sing and move very well.

Nymphs and Mariners - Male and Female 20-30


SIDES (PERICLES)
Antiochus
Bawd/Bould/Pander
Cerimon
Cleon
Diana
Dioniza
Fisherman
Gower
Helicanus
Lychordia
Lysimachus
Marina
Pericles
Simonides
Thaisa 1
Thaisa 2

PERICLES

by William Shakespeare.
Director: Jim Helsinger.
1st Rehearsal 1/05, Opens 2/26, Closes 3/26.

All ethnicities are encouraged to submit for/or attend these auditions.

PERICLES- 30s. Any ethnicity. Male. Prince of Tyre. Intelligent, capable, confident, and bold. Confident leading Shakespearean actor. Age: Pericles should look at least late 20s in the first half of the play; but in the second half needs to look and act 14 years older.

SIMONIDES/Ensemble - 40s-60s. Any ethnicity. Male. King of Pentapolis, father in law of Pericles. A respected and beloved leader.

ANTIOCHUS/Ensemble - 40s. Any ethnicity. Male. King of Antioch A king who is carrying on an incestuous relationship with his daughter. Proud, cunning, and quick on his feet.

CERIMON. 40s-50s. Male. Any ethnicity.  A lord of Ephesus and a healer. Ages 14 years between the first and second half of the play.

HELICANUS/Ensemble - 30s-40s. Any ethnicity. Male. A lord of Tyre and Pericles’ most trusted advisor. Intelligent, pragmatic, and wise. Ages 14 years between the first and second half of the play.

CLEON/Ensemble - 50s.  Any ethnicity. Male.  Governor of Tarsus. Worn down and doing his best to lead his people, but ultimately, passive, submissive, and disloyal. Ages 14 years between the first and second half of the play.

LYSIMACHUS/Ensemble - 30s-50s. Any ethnicity. Male. Governor of Mytilene. Rescues Marina from the brothel.

BOULT - 30s-50s. Any ethnicity. Male. Pimp in the brothel. Comic Role with a dark side.

GOWER/ENSEMBLE -  Male. English poet who appears as part of the Chorus. His story of Apollonius of Tyre in the eighth book of his Confessio Amantis served as an important source for this play.

THAISA - 30s. Any ethnicity. Female.  Daughter of Simonides, later wife to Pericles. Bright and warm, also determined and self-aware. Needs to be fairly young in the first half of the play (18-25) but needs to be aged 14 years for the second half.

MARINA - 20s. Any ethnicity. Female. Pericles and Thaisa’s daughter. Virtuous, graceful, well-bred. Young, innocent, and committed to her values.

LYCHORIDA/BAWD/Ensemble -  40-50s. Female. Lychordia - Nurse to Marina. Bawd-‘Madam’ of the brothel in which Marina inadvertently finds herself. Comic role.

DIONYZA/Ensemble - 30s-40s. Any ethnicity. Female. Cleon’s wife. Deceptive and selfish.

Lords, Ladies, Knights, Gentlemen, Sailors, Pirates, Fishermen, and Messengers - played by members of the ensemble
SIDES
Cassandra 1
Cassandra 2 (CALLBACK)
Masha 1
Masha 2 (CALLBACK)
Nina 1
Nina 2
Spike 1
Spike 2
Vanya 1
Vanya 2

VANYA AND SONIA AND MASHA AND SPIKE
Weekly Salaries: AEA (Union)  SPT 7: $476,  Non-Union: $378

Written by Christopher Durang.
Director: TBA.
1st Rehearsal 3/08, Opens 4/01, Closes 5/01.

All ethnicities are encouraged to submit for/or attend these auditions.

Vanya -  Male. 50s. Living in Bucks County. Resigned to his life, more or less, at least compared to Sonia.

Sonia - ROLE IS CAST

Masha - Female. 50s. Vanya’s sister, a glamorous and successful actress who goes gallivanting around the world.

Spike - Male. Late 20s. An aspiring actor, sexy, self-absorbed, Masha’s new companion. Actor must have incredible physique.  

Nina - Female. Early 20s. Lovely, sincere would-be actress who is visiting her aunt and uncle next door. Starstruck and energetic.

Cassandra - Female. African American. Cleaning lady and soothsayer

SIDES
Calliope/Henry
Calliope/Robin
Robin (Poem)
Tabitha/Callipoe/Robin
Tabitha/Robin

SUMMER CHILDREN'S SERIES SHOW - "THE FROG AND THE PRINCESS"
Local actors only, Non-Union, Weekly Salary - $400 ($10 per hour)

Written by Brandon Roberts.
Director: Patrick Braillard.
1st Rehearsal 6/2, Opens 6/20, Closes 7/26.

All ethnicities are encouraged to submit for/or attend these auditions.

Robin - Male. The Prince.  20s. Young, dashing and resourceful, even when turned into a frog.  Experience with puppetry a plus.

Calliope - Female. 20s. The Princess. Young, innocent and beautiful.

Tabitha - Female. 30-50s. The evil Step-Queen. Nasty and manipulative.

Henry - Male. Any age. The Queen’s Porter - servant to the queen and comic relief.


Join our mailing list to receive email notifications for auditions and upcoming productions.

For casting consideration throughout the year, please submit your cover letter, headshot and resume to:
Orlando Shakespeare Theater
Attention: Casting
812 East Rollins Street
Orlando, FL 32803

 

 

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